Stockholm
The central sticker is a two-part artwork, vertically stacked, depicting abstract and expressionistic portraits. The upper section features a close-up of a mouth with vivid red lips, slightly open, revealing teeth, set against a textured background with a blend of blue, green, and yellow tones. The lower section portrays a stylized face, likely female, with striking red lips, prominent eyes, and a complexion rendered in shades of green and yellow, framed by flowing blue hair. The artwork exhibits a painterly style with visible brushstrokes, creating a vibrant and somewhat distressed aesthetic. The sticker itself is creased, wrinkled, and shows signs of wear, indicating its physical presence on the metal pole.

07 May 9
Similar Stickers
The sticker features a brightly colored, slightly abstract illustration of a character. The character is wearing a green jumpsuit and a large blue head covering that resembles an animal's ears and face. They have a subtle, enigmatic smile and are holding up a small, circular object in their right hand. The background is a psychedelic swirl of blues and purples, with a patterned floor below that transitions from blue ovals to pink and purple geometric shapes. The overall aesthetic is vibrant and whimsical, with a slightly surreal quality. 16
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A rectangular sticker with slightly rounded corners, featuring a complex, abstract design dominated by shades of purple, fuchsia, and light blue. The central artwork consists of intertwined, flowing lines and geometric shapes that suggest a stylized, almost alien-like face or creature, with prominent eye-like elements. The background is a darker, textured purple. A distinctive border surrounds the central image, composed of alternating blocks of pink, blue, and purple, creating a pixelated or 'glitch' effect, particularly noticeable on the vertical sides. In the bottom left corner, there is a readable QR code. Below the main artwork, centered at the bottom, is a social media handle. The sticker is affixed to a dark, weathered metal pole. 11
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